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Mamy Wata shrines feature at least one image of the snake-entwined woman and a mirror. Which of the following is the reason for the mirror?


A) Mamy Wata is vain.
B) The devotee uses it to call Mamy Wata.
C) Mamy Wata uses it to control her spiritual power.
D) The devotee uses it to analyze dreams.

E) C) and D)
F) B) and D)

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How do Mende masks symbolize the ancestral female spirits?


A) The glistening black surfaces of the masks evoke the ancestral female spirits.
B) The dove forms atop the masks evoke the ancestral female spirits.
C) The wide-open eyes of the masks evoke the ancestral female spirits.
D) The cowrie-shell headdresses atop the masks evoke the ancestral female spirits.

E) All of the above
F) A) and D)

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How do these people represent their personalities?

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Samburu . These men and women exemplify ...

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Masquerades have long been a quintessential African expressive form loaded with meaning and cultural importance. Masquerades provided governmental functions for stateless societies. Which of the following groups of peoples would have masquerades?


A) Senufo
B) Baule
C) Kongo
D) Kota

E) A) and B)
F) A) and C)

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What is the function of this figure?

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Nkisi n'kondi, Kongo . The nai...

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What is being expressed in this representation?

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Thunder god Amadioha and his wife . Mbar...

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Briefly describe African art production.

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It was gender specific until recently. Men have usually been the ironsmiths and metalworkers as well as builders and carvers. Women are the painters, potters, and ceramic sculptors. Both men and women weave and bead.

Rock painting was among the most ancient traditions in African art and continued into the 19แต—สฐ century. Some scenes depict the presence of Europeans. Many examples have been found in which of the following countries?


A) Zaire
B) South Africa
C) Benin
D) Gabon

E) A) and B)
F) A) and C)

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Which of the following describes Baule bush spirits?


A) They are tall with elongated necks and torsos.
B) They are tall and muscular.
C) They are short, horrible-looking, and sometimes deformed.
D) They are short with exaggerated heads.

E) A) and D)
F) C) and D)

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How does this figure represent royalty?

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Mother and Child, Kongo . This figure re...

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What is the narrative displayed on these doors?

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Olowe of Ise, doors from the shrine of t...

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The gods of the Igbo peoples found in the mbari house are clothed in contemporary and traditional clothing representing concepts of modernity and tradition for the Igbo. Which of the following describes the clothing style for the goddess?


A) modern clothing
B) body paint and traditional hairstyle
C) modern clothing with body paint and traditional hairstyle
D) formal gown and tiara

E) A) and B)
F) None of the above

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Describe the change and continuing evolution of African art. Use examples to support your essay.

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Answered by ExamLex AI

Answered by ExamLex AI

The change and continuing evolution of African art can be seen through various shifts in style, technique, and subject matter over time. One significant change is the incorporation of modern and contemporary influences, as African artists have been exposed to global art movements and have adapted their traditional practices to reflect new ideas and perspectives. For example, the work of contemporary Nigerian artist Njideka Akunyili Crosby combines elements of traditional African art with Western influences, creating a unique fusion that speaks to the artist's multicultural identity. Her use of collage, painting, and mixed media reflects a departure from traditional African art forms while still maintaining a connection to her cultural heritage. Another example of the evolution of African art can be seen in the shift from purely functional to more decorative and expressive forms. Traditional African art often served practical purposes, such as masks for ceremonial rituals or sculptures for religious worship. However, contemporary African artists have expanded the boundaries of their art to include more abstract and conceptual works that explore themes of identity, politics, and social issues. One such artist is El Anatsui from Ghana, whose large-scale metal sculptures made from discarded bottle caps and other found materials challenge traditional notions of African art. His work blurs the line between sculpture and installation, and addresses themes of globalization, consumerism, and environmental sustainability. Overall, the change and continuing evolution of African art can be seen in the ways that artists are reinterpreting and reimagining traditional forms, experimenting with new materials and techniques, and engaging with contemporary issues. This ongoing evolution reflects the dynamic and diverse nature of African art, and its ability to adapt and thrive in a rapidly changing world.

The Royal ancestral shrine of the Benin represents both the kings and the enduring nature of kingship. Which of the following characteristics represents this notion?


A) The carved elephant tusks reveal the enduring nature of kingship.
B) The durability of the material reiterates the enduring nature of kingship.
C) The carved elephant tusks stand guard over the enduring nature of kingship.
D) The placement of the heads reiterates the enduring nature of kingship.

E) B) and C)
F) A) and D)

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What is the special province of Mamy Wata?


A) the initiation of young boys into the ways of manhood
B) the initiation of young girls into the ways of womanhood
C) traditional bush life
D) modern life

E) A) and D)
F) B) and C)

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D

What do these figures represent?

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Male and female figures, probably bush s...

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What is the Dama?

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The Dama is a Dogon celebration held eve...

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The Akan commemorative head, which is sculpted by a female artist and has a long history in Akan tradition, served which of the following original purposes?


A) It was placed as a burial offering.
B) It served as a reminder of the deceased.
C) It was used in the home as a shrine ornament.
D) It was used as paraphernalia for a Diviner.

E) B) and C)
F) A) and C)

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What is the Sande society of the Mende?

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It is the women's counterpart ...

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Elaborate cyclical masquerades occur in which of the following societies?


A) Baule
B) Mende
C) Kongo
D) Dogon

E) A) and B)
F) All of the above

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